Goodbye, PTA... hello, foreign intrigue! Single mom Amanda King leads a quiet suburban life in Washington DC until the day a dashing stranger shoves a package in her hands with instructions to give it to the man in the red hat. In no time, Amanda is dodging bullets, foiling assassination plots - and finding herself drawn to the dashing stranger, agent Lee Stetson, aka Scarecrow. Of course, Scarecrow has no interest in a ditsy amateur spy, no matter how pretty. But she certainly is handy in a crisis! Share the Season One fun with stars Kate Jackson and Bruce Boxleitner in this fast-paced 5-Disc, 21-Episode Set of the lighthearted series that proves laughs and romance are powerful weapons in the battle to protect national security.
Scarecrow and Mrs. King proves there was life for Kate Jackson after
Charlie's Angels--and for Bruce Boxleitner before
Babylon 5. Jackson's divorcée, Amanda King, a pretty lady with an '80s perm, lives outside D.C. with her sons, Jamie and Phillip. At a train station, she meets Boxleitner's Lee "Scarecrow" Stetson, who convinces her to do a "life or death" favor. The delivery to the man in the red hat doesn't go as planned, but King ends up cracking the case and a new team ensues. Scarecrow's boss, Billy (Mel Stewart), thinks a housewife will make a perfect decoy, though fellow agent Francine (Martha Smith) has her doubts. As she says about her colleague, "His methods might be unorthodox, but Scarecrow always delivers." Unfortunately for the apprentice agent, she can't tell anyone about her new career, not even her mother, Dotty (Beverly Garland, great value), who looks after the boys when she takes on assignments, offering different excuses every time. In Scarecrow, however, Amanda finds a friend as well as a partner--and a possible love interest, to judge from their longing glances.
If Scarecrow and Mrs. King bears comparison with Remington Steele, the cases that deal with the domestic arena help to set it apart, with perpetrators ranging from cooking-show hosts to cosmetics titans. The more dramatic episodes don't work as well, mostly because they feel like retreads from The Rockford Files (executive producer Juanita Bartlett has written for both programs). Also, Jackson is a deft comic actress, but her crying scenes don't quite convince. Still, it's a minor complaint about a light entertainment that wasn't aiming for documentary realism. Plus, it's the chemistry between the leads that led to three more seasons--and Boxleitner's GQ good looks certainly didn't hurt. --Kathleen C. Fennessy
