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BLU-RAY

Beethoven - Choral Fantasy and Triple Concerto for Violin, Cello & Piano / Barenboim, Ma, Perlman

Beethoven - Choral Fantasy and Triple Concerto for Violin, Cello & Piano / Barenboim, Ma, Perlman
  • List Price: $24.98
  • Buy New: $10.78
  • as of 5/23/2012 20:37 CDT details
  • You Save: $14.20 (57%)
In Stock
New (30) Used (12) from $10.41
  • Seller:musicshop780
  • Sales Rank:51,163
  • Format:Classical, Color, DVD, NTSC
  • Languages:English (Unknown), English (Original Language), English (Published)
  • Running Time:55 Minutes
  • Rating:NR (Not Rated)
  • Region:1
  • Discs:1
  • Aspect Ratio:1.33:1
  • Shipping Weight (lbs):0.3
  • Dimensions (in):7.4 x 5.1 x 0.6
  • Release Date:February 11, 2003
  • MPN:3 5 00492994
  • UPC:724349299498
  • EAN:0724349299498
  • ASIN:B000087F5C
Availability:Usually ships in 1-2 business days

Features:
  • PERLAM / MA YO-YO / BARENBOIM / BERLIN P BEETHOVEN: TRIPLE CTO. / FANT. COR. (DVD


Editorial Reviews:
Synopsis
Beethoven's Triple Concerto for Violin, Cello and Piano, with orchestra, performed by Daniel Barenboim on Piano, Itzhak Perlman on Violin and Yo Yo Ma on Cello. The DVD also includes the Beethoven Choral Fantasy. Barenboim is again featured on Piano and
Amazon.com
It would be difficult, perhaps impossible, to assemble a better group of musicians to perform Beethoven's Triple Concerto and Choral Fantasy. Daniel Barenboim has been so busy conducting the world's top orchestras and opera companies that there is a danger of forgetting what an excellent pianist he is. He conducts both of these works from the keyboard, as Beethoven would have expected, engaging in chamber music-like dialogue in the concerto and creating a sense of impromptu in the Fantasy's long piano solo, which Beethoven wrote for himself and partly improvised at the first performance. Itzhak Perlman and Yo-Yo Ma are sensitive, alert, and technically superb partners.

The music is not Beethoven's most familiar, but it is absolutely charming. The concerto is appealing in its melodic material and the intricate interactions among the soloists and orchestra. The Choral Fantasy features a long piano solo that Beethoven wrote for himself, plus a choral melody that sounds like a preliminary sketch for the last movement of his Ninth Symphony. Both works pose unusual balance challenges, to which Barenboim and the recording engineers rise impressively. --Joe McLellan


In Stock

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