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Exodus

Exodus
Director: Otto Preminger
Actors: Paul Newman, Eva Marie Saint, Ralph Richardson, Peter Lawford, Lee J. Cobb
Studio: MGM (Video & DVD)
Category: DVD

List Price: $14.98
Buy New: $4.62
You Save: $10.36 (69%)



New (18) Used (17) from $4.59

Avg. Customer Rating: 4.0 out of 5 stars 92 reviews
Sales Rank: 2582

Format: Closed-captioned, Color, Dolby, Dubbed, Dvd-video, Letterboxed, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), English (Subtitled), Spanish (Subtitled), French (Subtitled), French (Dubbed)
Rating: NR (Not Rated)
Number Of Items: 1
Running Time: 208
Aspect Ratio: 2.35:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.3 x 5.1 x 0.6

MPN: D1003897D
ISBN: 0792853695
UPC: 027616880154
EAN: 9780792853695
ASIN: B00006FDAU

Theatrical Release Date: December 15, 1960
Release Date: October 15, 2002
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: PERFECT FACTORY CONDITION ~ SHIPS FAST BY FIRST CLASS MAIL ~ SUPERIOR SERVICE GUARANTEED !

Customer Reviews:
Showing reviews 6-10 of 92
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4 out of 5 stars Otto Preminger revisited...an excellent film....   July 3, 2008
 4 out of 4 found this review helpful

I saw this film a long, long time ago (in a VHS, pan and scan copy, ugh), but I recently saw Otto Preminger's The Cardinal, which I really liked. I usually don't like Preminger's work, as I found it too long and too self important. But after seeing The Cardinal, I went back and revisited his work, starting with Exodus.

I like this film a lot more the 2nd time around. It wasn't perfect. The romance between Paul Newman and Eva Marie Saint's characters smacks of contrived Hollywood romance, and there is no chemistry between them at all. Some of the dialogue is silly as well. But there are many magnificent things about this film. It's very well acted and directed. Preminger shot a lot of the scenes in long takes, and it gives the film an excellent pace. Preminger's mise en scene is quite striking at times. There's a scene where Sal Mineo is talking to his girlfriend about how he wants to get to Palenstine and kill the British, and it's filmed all in one take. It's a medium close up of Sal, his girlfriend, and Paul Newman standing in the background. Otto lets it play out without a cut, and it all works. The scene where Sal Mineo is interrogated by a Jewish "terrorist/freedom" organization is one of the most powerful in the film. It goes on for a long time, yet it's necessary and it's beautifully acted and directed. The prison break out scene is done with minimal dialogue, and is very powerful as well. The scene where Sal Mineo escapes from British soldiers after blowing up the King David hotel is really strikingly shot as well. I also liked the scene where Lee J. Cobb announces that the UN has voted to give the Jewish people their own state in Palenstine. Otto doesn't show any generic crowd shots; he just shows the whole crowd (thousands of people), and it's pretty overwhelming. Ernest Gold's excellent music score is used sparingly. As with The Cardinal, there are no sledgehammer music cues in this film, which is a welcome change from most Hollywood films.

The film was shot on location in Israel in 1960. It wasn't really easy to do then, as Israel was still a young country with violence occurring every day, and all the equipment had to be imported from Hollywood, as Israel had no real film industry to speak of. Despite the logistics of the film, Otto shot the film in a mere 13 weeks. This is also the film where the McCarthy blacklist was broken permanently. The screenwriter was Dalton Trumbo, a known leftist and one of the Hollywood Ten. He was writing under a pseudonym, and Preminger had had enough. He announced that he was giving credit to Trumbo for his script. Contrary to popular belief, Preminger broke the blacklist first. Many have written that Kirk Douglas broke it on Spartacus (Trumbo also wrote that script), but it was Preminger who took the important first step, and Kirk took the 2nd step. I also admired the ending of the film, which is really dark, ambiguous, sad, yet realistic. It's not a contrived Hollywood happy ending, but an adult one, and one that, unfortunately, is still valid today. As for the DVD itself, it's a barebones one with a less than stellar transfer and muddy sound. There are scenes that looked washed out and grainy, and others that look superb. MGM didn't really do a good job here, and it's a shame, as this film deserves a deluxe treatment.

Aside from a few flaws, this is an excellent film, one that I am glad I revisited. It's worth checking out for anyone who wants to appreciate Otto Preminger and the ways of old Hollywood.



5 out of 5 stars Never forget!   June 25, 2008
Most people don't think of Exodus when they think of epic movies. And, maybe it's not a true epic, maybe a mini-epic.

The re-foundation of Israel in 1948 was nothing short of a miracle. The film does a nice job of showing the struggle of post-WW2 Jews re-founding their nation.

Enjoy.



1 out of 5 stars Watch Out! Non-Anamorphic!   May 31, 2008
 2 out of 4 found this review helpful

Just a warning: as if a bad transfer wasn't enough, it's not anamorphic. In times of widescreen TVs that is just plain stupid. Stay away until proper treatment of this movie is accorded to it. 3 stars for the movie; 0 Stars for the DVD.


5 out of 5 stars Exodus   May 20, 2008
Outstanding review of the Jewish community struggles in the early years in obtaining their freedom.


5 out of 5 stars Fracture   May 18, 2008
 0 out of 3 found this review helpful

The story is brilliant as it is a cat and mouse game with a lot of thick plots involving an amateur prosecutor who desperately seeked a justice against an elusive and clever murderer.


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